Yeah, I've done that. I wanted to learn how squid tentacles worked for my story Beyond and a couple strange little stories about the Isle of Thorns. I ended up reading two different books about squid and cuttlefish and octopusses (the plural is not octopi, as it turns out).
Fortunately, I grew up in a poor household with no cable, so I watched a lot of Bob Ross. Watching these videos gives you the same "I could do that" feeling, but comes with a far more extensive start-up cost.
It's more happy trees. You're not fooling me!
Maybe just a small desktop lathe...
:: Smacks self in face :: Stop that!
I tend to base most details of my stories on my personal experiences/knowledge base. If I have to do too much research, I worry that I'm not capturing the experience authentically because it isn't my experience. It's one reason I stay away from the Historical Fiction category.
Post-avant-retro-demelodicized-electro-yodel-core is my jam.
I'll do research if I'm setting something in a particular place or time that I am not personally familiar with. Or if I'm getting into unfamiliar territory in other ways, e.g. when I was creating a trans character in one of my stories. I don't think it's ever been intense enough yet to become a "rabbit hole".
Akin to research in some ways, though, is world-building for fantasy. If you read my Monster Sex story here or my fantasy story on Storiesspace, they are both set in the same world (in different places and time periods, though). I have a whole section in my OneNote writing notebook where I jot down thoughts about that world as I go. And that can be a rabbit hole all its own.
I usually just make up stuff on the night
but having never been to Abisko I had to do loads of research
and now YouTube constantly shows me Abisko tour ads
as does every site I visit that has ads...
Even deeper into the rabbit hole. I'm now regularly watching 4 different restoration channels as well. Recommended videos from the wood turning channels.
The original story that prompted the research is still in the title/cover mock-up/outline stage. LOL Not a single word of the actual story on "paper".
The second level of the rabbit hole will help with another title idea I've had sitting around in my wordplay title file with a cover mock-up for a while, because it's led me to a channel that does motor rewinding as part of old electrical device restoration. It will add another level of detail to that story, even if it's only a couple of sentences. Won't mean much to the average reader, but for those special few with a passion for restoration, it should help prevent them from being brought up short by the missing detail.
Now, I just need to get my writing drive back online so I can make use of all the new bits and bobs I've picked up.
Wish I'd known all this when I was a teenager spending days removing rust from the giant wrenches used on strip mine cranes with files and sandpaper.
I gloss over details that aren't important to the plot. I need a charactervin one of those hard plastic cast things. I forget the name now. I just had thr doc tell her she needed it without mentioning the tyoe of injury, mainly cuz IDK what they're used for.
I'm very vulnerable to this.
I was trying to come up with an exotic material with a pseudo-scientific background which would end up getting a one-line mention in the story (I ended up using Red Mercury, which also has a fascinating history behind it) and I ended up reading long articles on super-rare elements like Rhenium and their weird specialized uses. Then looking up how exactly cloth-penetrating security scanners work in airports.
On my current story I've spent like an hour looking up different types of boats to try and figure out what to call one boat that ended up sticking around for only a page or so.