When speaking, some contractions are interchangeable, should their use be different when writing? Such as...
We're not vs. We aren't
She's not vs. She isn't
Does it matter to you as the reader? Is it better to let the person He,She, They stand alone?
When the debate is lost, slander becomes the tool of the loser. Socrates I try to use contractions sparingly in narrative but would tend to use the latter in both your examples. They seem more grammatically correct although I don't have cite for that. For dialogue, I tend to use what feels "right" for the character and type of conversation. More colloquial, I'd go with the former, more formal, the latter. But that's my sense of it and I'll be happy to have a grammar geek correct me.
I use them all the time because they make the words flow more smoothly, often making the writing seem conversational. And unless the tone you're going for is more formal, then doing away with contractions can make the prose come off as a bit stilted.
I don't use many contractions in my prose; just a personal style preference. In dialogue, I think about a) how I would say it, and b) how I imagine the character would say it. It's usually pretty clear to me which is the most appropriate. My recommendation would be to not think about it too much; you'll notice if there is a break in flow when you read back later.
I use them in dialogue in stories but prefer not to in the narrative. I don`t like that conversational quality in prose. It is a matter of preference and taste, I suppose, and the tone you wish to convey in what you have written.
Like Mazza: this wasn't the type of contraction I was expecting!
I was thinking more of a tight pussy contracting round my finger, tongue or cock during orgasm, maybe that's just the way my mind works...
As to other type of contraction: yes I do use them: they help make the text flow better: in the way it would if speaking out loud...
Iain
I tend to write conversationally, so use of contractions falls right in line with my style. BUt If I am doing technical writing, as I often must in my day job, I avoid them like the plague.
"There's only three tempos: slow, medium and fast. When you get between in the cracks, ain't nuthin' happenin'." Ben Webster
I try to write the narrative without them (it's a learning process - I'm still working on my skills with only 11 stories published so far) In dialogue, I generally read it out loud and write what sounds 'right'. Most people speak using contractions. If it doesn't sound natural, it won't read that way, either.
...only worry when they are less than five minutes apart ;-)
"If you knew what you were doing you would probably be bored."
